Studio Schemes Limited
68/69 Leyland Trading Estate
Wellingborough
Northamptonshire
NN8 1RT
United Kingdom
Tel: +44 (0) 1933 227730
Fax: +44 (0) 1933 278412
.: Contact :.

Clients

Recent Clients List
UTV Radio (IRL)
11 studios new broadcast centre Dublin
Arab Media Corporation
Design and manufacture of acoustic treatment for TV studios in Jedd...
Norwich City College
Demountable TV studio and control room
South East Derbyshire College
TV studio for media department
ISG Interior Exterior Plc
Design, supply and fit 5 x acoustic window sets at Nelson & Col...
Smartcom:tv
TV studio for internet based video solutions

Studio Schemes have an enviable reputation built on over 10 years experience designing and building studios for Radio, TV, Music & Voice - We also manufacture and supply acoustic door and window sets as well as designing acoustic correction for wayward acoustic areas.
The company also undertakes project management and acoustic consultancy both nationally and internationally.

Acoustics

Sound is sneekier than water !

If air can get through so can sound, and it will!

Studio roofs have to be fully sealed against the walls and very heavy (as heavy as the walls!) Floors will transmit sound – both ways; they may have to be semi floated at least. Many are fully floated on variable compression neoprene blocks.

Doors and windows are the weak points – we manufacture acoustic door sets with magnetic seals, each set is circa 100kg (weight again) If possible an acoustic lock should be designed in, doors can drop circa 38dB provided they are built well and fully sealed against air, that is usually not enough against an outer area alone.

“Whilst you can get a wealth of knowledge from board manufacturers web sites there is a world of difference between laboratory tests and the real world.”

Isolation or “Dropping sound” how we express it.
So what is this dB(A) thing?

Bear in mind that roughly speaking each 10dB(A) increase in sound level is perceived as a doubling of subjective loudness by the human ear. So a jackhammer would be perceived as 16 times louder than a car on a motorway that is a 40dB(A) increase.

0-10dB(A) – Threshold of hearing depending on age etc assumes surroundings lower than level – unusual !
20 dB(A) – a whisper – or very good voice studio,
25-28dB(A) – studio for radio, music, production, TV
30dB(A) – a quiet rural location or say a production studio not relying on accurate monitoring,
40dB(A) – a quiet office or living room
45dB(A) – A PC at 1m !!! - mine,
50DB(A) – Residential neighbourhood – general office,
60dB(A) – Conversation at 1 – 2m,
70dB(A) – Car at motorway speeds,
80dB(A) – Medium truck passing, petrol mower,
90dB(A) – Heavy truck passing or a typical nightclub!,
100dB(A) – Jackhammer,
110dB(A) – Rock band – too loud but the real world,
120dB(A) – Boeing 747 taking off – don’t build a studio on a runway

The (A) bit is a weighting factor that is used to mimic the way the human ear records sound.

You see the problem:
Depending on the monitoring or sound produced we really need to drop minimum circa 60dB(A) and if you are a rock band >80dB(A) i.e. equal to a nightclub alongside !!! The truth is acoustic studios requires weight, significant sealing, acoustic doors and windows. Unless of course you are in the middle of a field and it is always dead quiet.

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